Smith & Singer

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John Brack 'Laughing Child' 1958 oil on canvas

17 June 2020

The Spectator  |  Donald McDonald

In a futile attempt at participating in the current cultural revolution, I tried to suffer ‘harm and offence’ from an art catalogue. But it seems I’m no good at this revolutionary business because I only derived pleasure from the catalogue of Important Australian & International Art of works to be auctioned by Smith & Singer (formerly Sotheby’s Australia) on 24 June.

Rarely Seen Brack, Arkley Works Headline Return of In-room Auctions

17 June 2020

Financial Review  |  Gabriella Coslovich

Next week brings a small but significant milestone to the art market with the return to live in-room auctions.

Smith & Singer are the first in line with their Important Australian and International Art auction in Sydney next Wednesday night. It is not only the highest value sale so far this year, with a total estimate of $5.9 million to $8.3 million, but also an auction that will see two major works by prominent Australian artists offered on the secondary market for the first time.

The Sydney Morning Herald  |  Meaghan Wilson-Anastasios

We've all looked at an old family photo, wondered at our former selves through a dated frame. But what if the image was painted by one of Australia's most celebrated artists, John Brack, whose angular, moody portrayals of mid-20th century Australia delivered penetrating insights into our culture and urban life?

This week Charlotte Brack saw, for the first time, a portrait that her father painted of her in 1958, when she was just four. It was unveiled for her at auction house Smith & Singer where it is about to go to auction (at a published estimate of around half a million dollars).

Online Art Auctions Surprise on the Upside

10 June 2020

Financial Review  |  Gabriella Coslovich

The sums that art buyers are willing to spend online have crept up, reflecting a pragmatic shift that has occurred across the economy during the pandemic.

Only a month ago Saleroom reported that the comfort threshold for online bidding hovered around $50,000, with a couple of notable exceptions five and six years ago. But in the space of two weeks we’ve seen an internet bidder pay $190,000 (hammer) for the 20.246 carat “Wakil Emerald” at Smith & Singer’s online jewels auction, and another collector rise to a $100,000 internet bid for Del Kathryn Barton’s portrait of Hugo Weaving at Deutscher and Hackett’s inaugural solo online auction last week. 

Staring at Art on the Wall is Bigger Than Ever

10 June 2020

The Australian  |  Ashleigh Wilson

Geoffrey Smith makes it his business to know the minds of collect­ors. And while the pandemic has been a strange time for all, those lucky enough to be surrounded by art have found themselves developing a renewed appreciation for their collection during lockdown.

“They’re spending more time at home, looking at what’s hanging on the wall,” said Smith, chairma­n of fine art auction house Smith & Singer. “Never has there been a time when art has been more important than now.”

As galleries start to open their doors around the nation, auction houses are preparing to welcome buyers back into their showrooms after a long period of absence.

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