Financial Review | Gabriella Coslovich
Smith & Singer’s second major art auction of the year reaped strong results last week, pushing the company to pole position, with a total of $10.75 million in art sales for 2020, or $13.33 million once buyer’s premium is factored in.
The Australian | Adeshola Ore
Brett Whiteley’s love of birds, which began with collecting their eggs as a child, fuelled his fascination with the natural world. The motif of the natural landscape weaves together the collection of more than 50 mostly Australian artworks that Sydney auction house Smith & Singer will place under the hammer on Wednesday. It’s the first time Whiteley’s 1987 depiction of native Australian corellas will be auctioned.
Irish Independent | Emily Hourican
Renowned artist John Kelly spent 45 days in hospital when he was struck down by rare condition, and the near-death experience has left him 'seeing the world very differently', he tells Emily Hourican. Just over two years ago, I interviewed artist and sculptor John Kelly at his home, Reen Farm, in West Cork. At the time, he was busy creating an extraordinary and beautiful memorial, the Think and Thank Garden at Reen, which is where the very first deaths from the Great Famine were recorded in 1846.
The Spectator | Donald McDonald
A French painting purchased in Melbourne in 1953 has been repatriated selling for $5.26m earlier this month in Paris. For 67 years the painting had hung in a private house in Melbourne until it was ‘rediscovered’ by Smith & Singer who returned it to France on behalf of an Australian client, the son of the original purchaser.
The Art Newspaper | Elizabeth Fortescue
When Claude Bonin-Pissarro accompanied an exhibition of 119 Modern French paintings from France to Australia in 1953, he told an Australian newspaper that he was very satisfied with security arrangements surrounding the pictures. No one had tried to steal or destroy the works by Picasso, Matisse, Derain, Léger and others, Bonin-Pissarro said...
Smith and Singer repatriated the painting to France and on Friday 10 July, Christie’s Paris sold it for a hammer price of €3.2m “following fierce bidding from representatives in Hong Kong, London, New York and Paris”.
The Age | Nick Miller
An oil painting by one of Australia's most celebrated artists, John Brack, of his laughing, pigtailed four-year-old daughter Charlotte has smashed expectations at auction, costing its new owner nearly $1 million to take home.
Laughing Child, painted in 1958, sold to a telephone bidder on Wednesday for a hammer price of $750,000 ($915,000 after the auction house premium). Pre-auction estimates were around half the amount.
The Sydney Morning Herald | Nick Miller
An oil painting by one of Australia's most celebrated artists, John Brack, of his laughing, pigtailed four-year-old daughter Charlotte has smashed expectations at auction, costing its new owner nearly $1 million to take home.
Laughing Child, painted in 1958, sold to a telephone bidder on Wednesday for a hammer price of $750,000 ($915,000 after the auction house premium). Pre-auction estimates were around half the amount.
The Spectator | Donald McDonald
In a futile attempt at participating in the current cultural revolution, I tried to suffer ‘harm and offence’ from an art catalogue. But it seems I’m no good at this revolutionary business because I only derived pleasure from the catalogue of Important Australian & International Art of works to be auctioned by Smith & Singer (formerly Sotheby’s Australia) on 24 June.
Financial Review | Gabriella Coslovich
Next week brings a small but significant milestone to the art market with the return to live in-room auctions.
Smith & Singer are the first in line with their Important Australian and International Art auction in Sydney next Wednesday night. It is not only the highest value sale so far this year, with a total estimate of $5.9 million to $8.3 million, but also an auction that will see two major works by prominent Australian artists offered on the secondary market for the first time.
The Sydney Morning Herald | Meaghan Wilson-Anastasios
This week Charlotte Brack saw, for the first time, a portrait that her father painted of her in 1958, when she was just four. It was unveiled for her at auction house Smith & Singer where it is about to go to auction (at a published estimate of around half a million dollars).